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boring as hell for a photo cover but still looks cool |
Back to fiction and wow what a boost to my reading! This book was thin and I burned through it in two days, thoroughly enjoying myself. I love all kinds of reading but it sure is nice when you don't have to re-read passages, check the maps over and over again and even go to Wikipedia to try and figure out the historical context.
It doesn't hurt how beautiful these Penguins are. I'm not a massive Haggard fan, but I keep all of his that I find because the editions are so lovely and look great on my shelf. I know it is pure snobbery, but I love the back tagline of this book "the 'adults' Ian Fleming". It is so true. These are smart espionage books. Sometimes perhaps a bit too smart, as Haggard loves oblique conversations (and even sometimes narrative passages) where nothing specific is mentioned and the read has to infer what is actually going on. I think this is often how intelligent spymasters do actually talk, but there are also elements that refer to subtle class distinctions in England that can be tough for a 21st century North American to parse.
The story here contains Haggard's usual elements: skullduggery involving a fictional foreign nation that somewhat implicates Britain as well. However, it is off to the side from his usual sandbox, only indirectly involving the Security Executive branch. The protagonist is Francis Mason, the heir of a multi-generational farming family of English descent from the South American country of Candoro (an analogue of paraguay perhaps). His grandfather and the patriarch of the estancia (named "Seven" because it was the seventh plot of land granted to colonialists in the 19th century) drove off a local official in a humiliating way (knocking him down with bolas just after he had left the property) and that local has recently become the president of the country. He is making serious trouble for Seven so Mason heads off to England in the hope of getting some support from the British Foreign Office and sympathetic people in the Candoran embassy. His first "ally" is Kenneth Gibb, an ambitious and less than ethical middle ranking diplomat who also had an affair with Mason's wife. Mason is portrayed initially as a bit soft and passive, but as the narrative unfolds, we of course see that he is made of sterner stuff, as he threads the needle of all the various enemies working around him.
It's a fun read, though I found the ending a bit too dependent on chance. I didn't mind as there is an excellent scene here of the kind of subtle badassery that is why I read these books. Just so fucking cool. The whole thing about Mason is that he is descended from good British stock and his grandfather was a famous badass landowner. So he inherited that toughness and also was raised on the estancia, learning to ride, work cattle, but he also grew up with the peons and learned all their sweet knife-fighting skills, which gets revealed to the reader at the best possible moment. He is shown as deferring and polite, just trying to minimize trouble and save his Estancia, while all these nastier and seemingly more sophisticated players are maneuvering around him to screw him out of his money. When things get nasty for real as an assassin is sent to take out one of those players (with whom he had become allied and started to respect) in a London park, suddenly Mason is whipping out a 14" facón that nobody knew he had on him and completely besting the assassin to the point where he discusses whether or not he should kill him and decides not to because the body would cause problems for them.

The Kenneth Gibb character is interesting as well as in some ways the book is more about him. Haggard really has it in for him. He starts out as seeming that he will be quite a problem for our protagonist but ends up just getting utterly screwed left and right, to the point where though he initiated much of it with bad selfish decisions, you start to feel bad for him. By the end he goes out in the worst possible way. One feels that he may have been a type that Haggard dealt with in his own life, so severe is his retribution.